中国工艺美术馆、中国非物质文化遗产馆，北京 | GMP

由gmp·冯·格康，玛格及合伙人建筑师事务所设计实施的这一国家级博物馆将两座博物馆的功能集为一体，它的落成为北京奥林匹克公园新文化区增添了又一座重要的新建筑。建筑外观设计与其内容相辅相成，雕塑般的幕墙结构富于色彩、深度与光泽效果的变化，使博物馆无论从近处还是远处看都极具特色。

With the National Museum, which combines two new museums for the display of China’s cultural heritage, the architects von Gerkan, Marg and Partners (gmp) have completed an important component of the new cultural quarter in the Olympic Green in Beijing. The external design makes reference to the function of the building, which – with its changing color and light effects created by the sculptural structuring of the facade – is clearly visible from near and far.

新的博物馆建筑比邻国家体育场（鸟巢）以及由gmp于2021年设计建成的亚洲金融大厦暨亚洲基础设施投资银行总部，并与这些新建筑一起重构了北京中轴线的北端。在新的博物馆中，众多的中国工艺美术品和非物质文化遗产的珍品首次以国家级高度向公众展示。

The museum building marks the northern end of Beijing’s Central Axis and is not far from the National Stadium, the Bird’s Nest, and the Asia Financial Center & AIIB Headquarters completed by gmp in 2021. For the first time, an opportunity is provided to present valuable collections of Chinese arts and crafts and items of intangible cultural heritage at national level.

新建筑高 50 米、长201 米、进深 75 米，体量比例源于对原仰山文化带上的城市更新，即奥林匹克公园文化综合区的城市规划设计要求。建筑在结构和尺度上被划分为彼此贴合的三部分：浅色锈石花岗岩基座、玻璃幕墙的透明平台层和漂浮在上方的铜色主体建筑。

The dimensions of the new building, which is 50 meters high, about 200 meters long, and 75 meters deep, result from the urban design guidelines for cultural buildings along the River Yangshan. The building comprises three distinct dimensionally and structurally coordinated parts: the plinth built with light-colored Xiu Shi granite, the glazed intermediate area, and the copper-colored main body floating above.

通过这种三段式布局，在13.5米的高度上形成了一个有屋顶的城市露台，以公共空间的形式环绕着建筑。6米悬挑的屋顶也为玻璃幕墙后面的展览区提供了遮阳保护。

This division into three parts means that a roofed-over terrace is created at a height of 13.50 meters, providing public space all round the building. It is protected by the six-meter cantilever of the roof, which also functions as solar screening for the exhibition areas behind the glazed facade.

博物馆的两个入口位于建筑的中轴线上。博物馆既面向东侧的广场、也面向西边的河岸开放。两个入口通向共同的中央入口大厅。比邻大厅的是有约 400 个座位的大型多功能报告厅，以及可灵活使用的互动体验展厅。中央大厅通高的开放空间通过屋顶的正方形天窗自然采光。

The two entrances to the museum are placed along its central axis, thus providing access points to the square to the east as well as to the river bank to the west. They lead to the shared central foyer and on to a multifunctional hall with about 400 seats and the exhibition hall for the temporary display of interactive formats. The space is open through the height of the building and receives daylight through square roof lights.

在前往展厅的路上，可以从环绕大厅的公共环廊获取更宽阔的视觉体验。公共环廊的墙面和吊顶的设计，从节点构造、色彩造型上都与建筑外幕墙的设计元素相呼应。环廊上六边形的背光吊顶让人联想到中国传统手工艺的编织结构，为走廊带来静谧的空间效果。

As visitors make their way along the balconies to the exhibition halls they enjoy varying vistas of the space. The detailing of the wall and ceiling elements resonates with the design of the building envelope in terms of structure and color. The back-lit hexagonal ceiling panels are reminiscent of woven patterns in Chinese crafts and create a calm atmosphere along the access corridors.

博物馆区分布在三个楼层，临时展厅设置在玻璃幕墙的平台层，常设展厅在两层高的主体建筑里。建筑结构采用大面积无柱空间，可以容纳多样化的展览方式。落地展墙单元可以灵活划分展览区，这也使得这两个主题迥异的博物馆可以在同一个屋檐下和谐共存：一方面是传统技艺等门类的非物质文化遗产展览，另一方面是琳琅满目、典雅精致的中国工艺美术展览。

The museum functions are arranged over three stories, with the temporary exhibitions allocated to the glazed intermediate level and the permanent exhibitions to the two stories of the main building volume. The structural design of the building with its large column-free areas lends itself to a great variety of exhibition scenarios. Space is flexibly subdivided with room-high partition elements, which means that the two museums can easily be combined under one roof, even though they cover quite distinct subjects: on the one hand intangible cultural heritage such as dance and music, and on the other hand Chinese arts and crafts with numerous, sometimes quite small, objects.

具有遮阳效果的外立面幕墙通过光影效果创造出一个新的光影空间，这个新的光影空间是对中国古代建筑花窗、中式室内空间氛围的转译。外层幕墙与内层幕墙之间近1.5米的灰空间一起营造了有深度的建筑外表皮。外层立面本身由带有哑光铜色涂层的铝型材制成，这些型材交织在一起，构成了格栅状的浮雕。格栅型材的水平构件向外突出、竖向构件向内偏移，双向叠加实现了立体的三维效果。

The structural pattern employed in the curtain wall facade relates to the patterns and structures found in the art and craft exhibits. With its solar screening it generates a distinct atmosphere with dappled light that is reminiscent of traditional Chinese interiors. The three-dimensional effect of the building envelope is achieved with the large gap of almost one-and-a-half meters between the outer and inner facades and by a space structure consisting of pultruded profiles with a mat copper-colored coating that have been woven into a grid-like relief, projecting outward in the horizontal and inward in the vertical planes.

幕墙格栅图案是由一个3.00 x 2.20米的基本模块生成的，通过模块竖向的有节奏的重复延展成22米高的两层顶部建筑，由此产生了面子和里子既统一又各具特点的外立面效果。夜间，在背光照明的作用下，立面装饰格栅的结构和深度显得格外突出。从远处观望，整个博物馆熠熠生辉，像是漂浮在奥林匹克公园之上。

The homogenous facade pattern is made up of repetitions of a basic module of 3.00 by 2.20 meters to form vertical elements across the entire height of 22 meters of the two upper stories. This creates a facade without front and back. Owing to the backlighting, the structure and depth of the facade can be best appreciated at night when the radiant structure can be seen from afar, seeming to float above the Olympic Green.

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