上海浦东民生码头E15-3街区 | EID Architecture

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本项目位于上海浦东民生码头，以建造黄浦江沿岸甲级办公楼及服务式配套商业为设计目标。基地北起滨江路，南至E15-2地块幼儿园（规划），西接E15-1规划公共绿地，东临E15-4地块万科翡翠滨江二期。用地面积约9,640平方米，新建建筑地上计容建筑面积26,510平方米。意图结合民生码头的历史文化气息，打造舒适人性、绿色健康的精品办公和商业环境。

滨江路项目整体设计从所处环境入手，深入理解浦江、筒仓和历史文物建筑，试图糅合不同年代与历史条件背景下城市性的差异，消解“年代”与“当代”的对话冲突。设计运用适合于当代技术条件的设计语言，通过由东高至西低的姿态适应周边强势建筑的体量关系；将塔楼化为四个竖向的体量，与筒仓的意象形成对话。通过建筑表皮细节的语汇表达，形成细腻柔性的美感，传达精致沉静的美学价值观。

建筑群房为呼应城市尺度，化解为更小的体量，并在中段形成空隙，从流线和空间关系上联系南北两侧的场地。裙房首层通过对混凝土的使用，从材料性上回应周边历史建筑。通过格栅和立面上竖向元素的引用，呼应筒仓的竖向语汇，并创造贴近人体感受的细腻尺度。

与浦江两岸争奇斗艳的奇观建筑不同，黄浦江沿岸E8单元E15-3地块是一座属于城市的建筑，它直白地讲述着一个新建筑融入城市文脉的故事：建筑的体量被消解为一系列交错的玻璃盒子与周边的筒仓工业遗址和文物建筑群产生新旧对话，这些盒子之间的空隙成为了观赏周围景致的绝佳公共空间。售楼处的设计探索了筒仓外部造型与内部空间的几何关系，并使用现代的建筑材料语言加以重新演绎。圆形的空间主题结合功能分区与动线形成了独特的四叶草造型。

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Located at Minsheng Wharf in Pudong of Shanghai, Minsheng Wharf Block E15-3 designed by Atelier Ping Jiang/ EID Arch is a new waterfront development intended for urban regeneration. Primarily consisted of grade A office space and amenities, the project site is bookended in-between century old industrial silo warehouse, historical houses with landmark status and neoclassical luxurious residential neighborhood designed by American architect Robert Stern. With a GFA of 38,240 sqm, Minsheng Wharf Block E15-3 aims to create an urban structure that mediates and reconnects the complex urban conditions.

1. Urban Regeneration: the Fugue of Urban Space

The juxtaposition of these chaotic and complex urban conditions reflects the urban reality of the evolving city of Shanghai. By carefully addressing the complexity of these site conditions, the design of Minsheng Wharf Block E15-3 reestablishes a spatial order for the wharf. Negotiating with an L-shaped site configuration, the master planning includes not only a new addition of office building, also a temporary pavilion for arts and communal activities, along with renovation of three historical colonial houses. Working with strict site constrains, the organization of the new addition stems from the spatial relationship with surrounding buildings and urban environment, the solidity of the building is as critical as the voids. By correlating the massing and voids with the existing urban fabrics, a spatial fugue is created with new meaning and purpose, reactivating the industrial waterfront district.

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2. Urban In-fill and acupuncture

The design ambition does not lie in creating an eye-catching spectacle building, on the contrary, it is intended to address the urban conditions in a restrained manner, providing a monolithic, minimal building responding and correlating to the surroundings. Inspired by the vertical rhythm of the silos, the building massing is articulated into four vertical tiers. To maximize the views towards the river and Lujiazui Financial District skyline, an offside core layout is adopted. A lower wing of the office/retail is place between the opening of the silo warehouse to allow for better river view and frontage. It also creates a pedestrian friendly urban experience. Porosity and permeability are introduced to the massing allowing for connectivity and interaction between the street and enclosed courtyard. Inside the office space, the design optimizes the overall height and creates a small floor plate ideal for daylighting. A series of landscaped gardens and terraces are placed throughout the office building to offer outdoor activity and interaction. In addition, the low rise wing of the building addresses the preserved historical colonial houses, forming a intimate street scale within the courtyard side of the block.

The superimposing of old industrial building and new architecture created a space-time dialogue with the waterfront sites. It's a dialogue between the new and old, history and modernity, preserving and inheritance. Some design features are inspired by the surrounding heritage buildings in terms of scale and materiality, the tower and the podium are connected by a slender horizontal corridor, which not only facilitates the circulation in the building itself, but also pay tribute to the industrial elements of the silos on the wharf.

The counterpoint in architecture and the framed scenery in Chinese traditional gardens are also apparent in this project. The four vertical volumes of the tower correspond to the verticality of the silo; the high on the east and low on the west section echo to the scale of surrounding buildings; the clear geometric division of the horizontal and vertical grids on the building facade take cues from the rich attributes of the industrial site...In the voids of the new building, with a casual glance, tenants and visitors could get the clear views of the surrounding landmark buildings, and the old and new are mutually framing views to each other.

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3. Materiality, façade articulation

Unique from the traditional office building, Minsheng Wharf Block E15-3 selected Moroccan gray limestone and pressure-treated wood panel for podium base storefront facade, which is consistent to the concrete material palate of the silo; meanwhile, the vertical grooved line details on the tower façade adopted warm-tone material such as metal copper, which reflects the materiality of the surrounding historical building.

Further down the road, in addition to Minsheng Wharf Block E15-3, the architect also designed a clover-shaped temporary exhibition center and a renovated office building. While fulfilling the functional requirements of the buildings themselves, this project not only improved the urban fabric and structure, but also activated the previously deserted urban environment. These interventions have connected new commercial spaces, cultural/communal venues and residential neighborhood along the riverside. Through strategic urban in-fill and acupuncture, Minsheng Wharf is becoming a lively urban hub and cultural destination.